Posts

I recently joined a street portraits group on Facebook, and without wanting to be overly critical of other photographers’ work, I’ve found a good 90% of the images posted extremely boring and unimaginative (when they actually hit the brief, which is rare). Pictures taken on long lenses with no engagement with the subject; the camera pointed randomly at the street, shooting normal looking people behaving normally with no real subject or point of interest; paparazzi/stalker-style shots as the photographer is scared to approach people; boring shots converted to B&W in the hope they’ll appear more interesting; the list goes on.

Street portraiture is probably my favourite type of photography – I’ve been published for it and have another whole website dedicated to it – and whilst I’m no expert or professional, I like to think I’m half decent at it at least. So here are my tips to avoid boring street portraits and to make more compelling and intimate images.

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As with everything else, Covid-19 did its best to mess up my Tokyo travel plans. I was going there to see the mighty New Order, but they’d cancelled a week previously after Japan banned all public gatherings for two weeks to try to halt the spread of the virus. ‘Regret’ indeed. But I’d booked a non-refundable flight and a hotel with an onsen and so, not being particularly afraid of catching a cold, I decided to go anyway, and following a mostly empty flight from Don Mueang, I found myself at an equally quiet Narita Airport on Saturday morning.

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